Golden Shore

Golden Shore is more than a project to me. I started designing this home in 2019, when I had just entered seventh grade. At the time, it was just an idea inspired by where I was living, surrounded by mountains and ocean views. I did not fully understand architecture yet. I just knew I loved architecture and interior design, and how it made me feel. Now, almost finished with my freshman year of college, I am still redoing the same home. Every year, it changes as I change. That is what makes this project so personal. The home sits between mountains and water, and that relationship with nature guides every decision. In many rooms, I intentionally limited color so the exterior becomes the focal point. Soft creams, warm whites, muted taupes, and natural woods create quiet interiors that allow the blue of the ocean and the green of the hills to speak. The absence of strong color in these spaces is not emptiness. At the same time, there are moments where color becomes emotional and bold. Deep colors, botanical murals, and bold wallpaper wrap the walls in rich greens, earthy browns, and hints of blush. It feels immersive and intimate, and dark wood ceilings and wall panels introduce depth and contrast without overwhelming the home. Material selection plays a major role throughout the home. Natural wood ceilings bring lots of warmth overhead, while black stone and marble add weight and a sense of grounding. Soft textiles in neutral tones maintain comfort without distracting from the architecture. Even the bathrooms continue this theme, combining clean stone surfaces with warm wood and lighting. The palette is controlled, but never flat. When I first started Golden Shore, I was experimenting without structure. Over time, my understanding of proportion, material harmony, and spatial flow matured. Instead of starting over, I chose to keep building on what I created years ago. This home will probably never be 100% finished, and that is the point.